American comic book writer & creator (1922- )
I just figured that Bruce Banner had probably been a friend of Reed Richards, and Reed had given him some elastic trousers. There's an explanation for everything, but you may not be technically advanced enough to follow me on all of this.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
My favorite movie star, far and away, was Errol Flynn. I thought that this guy was the greatest because he always played such heroic roles. He was either the sheriff of Dodge City, or he was Robin Hood, or he was Captain Blood. When I would leave the theater, I'd be about 10 years old I guess ... I would imagine I had a little crooked smile on my face the way Errol Flynn did, and an imaginary sword at my side. I'd be looking around for little girls that might be [attacked] by some bullies.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
It's geeks who really make or break a TV show or movie or videogame.
STAN LEE
The Washington Post, July 23, 2010
'Nuff Said!
STAN LEE
often-used line on "Stan Lee's Soapbox" editorial pages
The publisher had me doing western magazines, crime magazines, men's adventure magazines, even romance and teenage magazines and one day he came to me and he said you know one of our competitors has a book called The Justice League and it's selling well and it's a bunch of superheroes, why don't we do some superhero magazines? I said OK, I wanted to keep my job so I came up with The Fantastic Four and the others and that was the only reason. If my publisher hadn't said 'let's do superhero stories' I'd probably still be doing A Kid Called Outlaw, The Two Gun Kid or Millie the Model or whatever I was doing at the time.
STAN LEE
interview, CNN, June 12, 2013
I try not to do anything that's too close to what I've done before. And the nice thing is we have a big universe here. It's filled with new ideas. All you have to do is grab them.
STAN LEE
Brandweek, May 2000
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
STAN LEE
Brandweek, May 2000
If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.
STAN LEE
interview, March 13, 2006
I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.
STAN LEE
interview, April 30, 2002
I never thought that Spider-Man would become the world wide icon that he is. I just hoped the books would sell and I'd keep my job.
STAN LEE
interview, March 13, 2006
Comic book should be written as one word. So from now on, I want you to remember that. I never want to see the word comicbook written as two words. They are not funny books. They are not comic books, they are comicbooks! Remember that, or incur my wrath.
STAN LEE
Youtube video, "Stan Lee Hates 'Comic Books' - Stan's Rants", Stan Lee's World of Heroes
A superhero's catchphrase should be like a really memorable advertising slogan. It sticks in your head and you can't stop humming it. And let's face it, superheroes are just really selling themselves as products.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story. Then Don Heck would come over and say, "Hey Stan, I need something to do." I'd say, "Well, I can't write it for you Don, but here's the plot for Iron Man, you go and draw it, and I'll put in the copy later." That way I could keep five, six, ten artists busy; they were drawing, and as they'd bring in the strip, I'd put in the copy. Okay, it started out as a lazy's man's device--or maybe a guy who just didn't have enough time--but we realized this was absolutely the best way to do a comic. Because any artist who really belongs in this field--and of course our artists do--is a storyteller himself. He tells stories with pictures; he has imagination, he knows continuity, he knows how a story should be told.... Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.' The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something.
STAN LEE
1975 San Diego Comic Con Panel, The Collected Jack Kirby Collector, vol. 4
Some people will say, "Why read a comic book? It stifles the imagination. If you read a novel you imagine what people are like. If you read a comic, it's showing you." The only answer I can give is, "You can read a Shakespeare play, but does that mean you wouldn't want to see it on the stage?"
STAN LEE
Denver Post Online, May 23, 2013
With great power there must also come ... great responsibility!
STAN LEE
Amazing Fantasy, #15, August 1962
Excelsior!
STAN LEE
closing signature line on "Stan Lee's Soapbox" editorial pages